Gibson’s video TO FEEL MYSELF BELOVED ON THE EARTH was produced in the months during the coronavirus pandemic, in the midst of national civil unrest demanding justice and equity for BIPOC. Turning to breathing, physical movement, and nature, Gibson conceived of six different performances centered around the transformation of chaos to stability, and the manifestation of healing through movement. Trained and untrained dancers, from a variety of cultural backgrounds, were filmed in various natural and urban locations wearing garments made by Gibson’s studio. Within a soundscape of polyrhythmic drumming and ambient noises, the dancers transition between meditative breathing and un-choreographed movement to express the oscillating relationship between inner turmoil and harmony.

In his new painted canvases, Gibson’s expands his interpretation of Modernist abstraction and Native American visual languages beyond the hard-edge formations seen in his previous work. These more painterly compositions begin with stained raw canvas, which is then layered with alternating bands of text, rectangles, zig-zags, and diamonds. In works such as I’VE GOT YOU UNDER MY SKIN and THROUGH THE FIRE, one can see soft washes of paint forming the base of the composition; shadows blur into fields of pink, blue, and green to effect a nebulous landscape of color. The visual interplay between these backgrounds and fields of geometric patterns create vivid, emotive textures, reflecting the bold declarations of text inscribed upon them.

Language and music continues to play a central role in Gibson’s oeuvre. Adapting lyrics from iconic pop and dance songs of the 80s and 90s, his paintings complicate the distinction between image and text. Letters are blocked amongst rows of checkerboard squares and fields of diamonds, mirroring the shapes’ angularity through typography. The application of text even extends beyond the canvas, adorning the hand-crafted beaded frames surrounding each painting with corresponding statements. Lyrics allude to the struggles—past and present—of marginalized communities, creating a space through the familiarity of their words for viewers to sit within and interpret. In Gibson’s paintings, language becomes a visual experience, unraveling a spectrum of emotions and experiences; desire, vulnerability, joy, and freedom.

Press release and images via Sikkema Jenkins & Co, NYC