Recurring for Greene through this process was a contemplation of interference. This began as consideration of electromagnetic and radio waves and the continuing interferences, which alter and diverge their totalities. To Greene, this is a generative process for which the logic extends to considering the body, and effectively the living. As forms are intruding into each other to create entirely new forms, nesting within other forms, or diluting themselves entirely, Greene’s body of 10 new major paintings configures her forms entirely as amalgamations of interference.